I mixed monitors and worked as A2 for an opera premier

I’ve been making short audio training videos, starting with console and sound reinforcement system training. More topics to come soon!

I made two half-height boom mic stands out of one straight stand. Here’s how I did it.

I was the recording engineer for the National Repertory Orchestra in Breckenridge, Colorado for two seasons.

I designed and built a mobile, modular cart for sound design and show control.

Here are some ideas for mic stand storage and moving.

I recorded the Troublesome Gap Music Festival and composer’s workshop in the Smoky Mountains of North Carolina.

Recording a choir with orchestra can be tricky.

I led a project to upgrade the Doudna Fine Arts Center to a Dante digital audio network.

I built the Hamptone HVTP2 tube microphone preamplifier from a kit.

There are some things I like done in a specific way in my “shop”.

I created an immersive and responsive sound and movement installation.

I mixed and mastered the self-titled debut album of this Champaign, IL-based roots rock band.

I recorded and mixed the audio for the "Moving Pictures" DVD by the Champaign-Urbana Symphony.

I built a circuit kit to improve the sound of my Realistic PZM microphones and allow them to be used with phantom power.

I recorded and mixed djembe master Bolokada’s Conde Afro-pop/Traditional Mande fusion group Rhythm Manding.

I recorded, mixed, and mastered the Atlantic Harp Duo’s CD A Journey with Chopin & Sand.

I built this sound studio with Andy Krumeich at the Krannert Center for the Performing Arts

I designed the sound for this theatrical presentation of poems and creative writing.